The first comprehensive book about Chillingham in Northumberland-its unique wild cattle, its historic castle and church, and the family associated with them since the twelfth century. Julius Caesar admired the cattle's ancestors for their brute strength, Sir Walter Scott immortalised them. They were painted by Sir Edwin Landseer and Archibald Thorburn, and depicted at their best by Thomas Bewick, the master engraver. Darwin studied them and wrote about them in the 'Descent of Man'. The historian Simon Schama described the Chillingham cattle as "the great, perhaps the greatest icon of British natural history". The Castle's history is chequered and the nobles who lived there even more so. Incest, adultery, witchcraft, torture, kingmakers and traitors, a cricketer and a cowboy are all part of its history, resulting in its modern reputation for cruel and benign ghosts still regularly seen in the castle. Founded around 1184, the country church, in its simplicity hides a fifteenth-century tomb described as "one of the finest such monuments in the country outside a cathedral". Edited by Dr Paul G. Bahn and Vera Mutimer, with a foreword by HRH Prince Charles, the Prince of Wales.

New to this Edition * Updated treatment of postcolonial approaches and indigenous archaeology, with coverage of the ontological turn in archaeology, and new examples of community archaeology in southern Africa and Australia. * New discoveries and research across the globe, such as archaeological evidence of social hierarchies at the ancient city of Liangzhu, China, and recent evidence of Neanderthal art in France and Spain. * A more inclusive picture of archaeology, raising the profile of women in the discipline's history, and describing the development of archaeology in China and Japan. * In Chapter Five, updated treatment of social organization, with critical evaluations of Service's model, and new coverage of heterarchies. * New box features include: forensic archaeology; change in the Amazon; ancient microbes; paleoproteomics; Must Farm; evidence of feasting at Stonehenge; Neanderthal art; and ceramic styles and learning. * New book design, including, for each chapter, distinct introductions that offer a general overview of each topic covered.

Global in perspective and covering over four million years of history, this accessible volume provides a chronological account of both the development of the human race and the order in which modern societies have made discoveries about their ancient past. Beginning deep in prehistory, it takes in all the great archaeological sites of the world as it advances to the present day. A masterful combination of succinct analysis and driving narrative, Archaeology: The Whole Story also addresses the questions that inevitably arise as we gradually learn more about the history of our species: what are we? Where did we come from? What inspired us to start building, writing and all the other activities that we traditionally regard as exclusively human? A concluding section explains how we know what we know: for example, how seventeen prehistoric shrines were discovered around Stonehenge using magnetometers, ground-penetrating radars, and 3D laser scanners; and how DNA analysis enabled us to identify some bones discovered beneath a car park in Leicester as the remains of a fifteenth-century king of England. Written by an international team of archaeological experts and richly illustrated throughout, Archaeology: The Whole Story offers an unparalleled insight into the origins of humankind.

From two of the best-known archaeological writers in the trade, this outstanding resource provides a thorough survey of the key ideas in archaeology, and how they impact on archaeological thinking and method. Clearly written, and easy to follow, Archaeology: The Key Concepts collates entries written specifically by field specialists, and each entry offers a definition of the term, its origins and development, and all the major figures involved in the area. The entries include: thinking about landscape archaeology of cult and religion cultural evolution concepts of time urban societies the antiquity of humankind archaeology of gender feminist archaeology experimental archaeology multiregional evolution. With guides to further reading, extensive cross-referencing, and accessibly written for even beginner students, this book is a superb guide for anyone studying, teaching, or with any interest in this fascinating subject.

The History of Archaeology: An Introduction provides global coverage with chapters devoted to particular regions of the world. The regional approach allows readers to understand the similarities and differences in the history of and approach to archaeology in various parts of the world. Each chapter is written by a specialist scholar with experience of the region concerned. Thus the book focuses on the earliest beginnings of archaeology in different parts of the world, and how it developed from being a pastime for antiquarians and collectors to a serious attempt to obtain information about past societies. Woven into the text are various boxes that explore key archaeologists, sites and important discoveries in the history of archaeology enriching the story of the discipline's development. With such far ranging coverage, including an exploration of the little covered development of Russian and Chinese archaeology, The History of Archaeology is the perfect introduction to the history of archaeology for the interested reader and student alike.

The History of Archaeology: An Introduction provides global coverage with chapters devoted to particular regions of the world. The regional approach allows readers to understand the similarities and differences in the history of and approach to archaeology in various parts of the world. Each chapter is written by a specialist scholar with experience of the region concerned. Thus the book focuses on the earliest beginnings of archaeology in different parts of the world, and how it developed from being a pastime for antiquarians and collectors to a serious attempt to obtain information about past societies. Woven into the text are various boxes that explore key archaeologists, sites and important discoveries in the history of archaeology enriching the story of the discipline's development. With such far ranging coverage, including an exploration of the little covered development of Russian and Chinese archaeology, The History of Archaeology is the perfect introduction to the history of archaeology for the interested reader and student alike.

Tired of the airbrushed images of archaeologists in TV documentaries? Want the dirt on what REALLY happens on a dig? Paul Bahn has collected dozens of fun tales from the trenches to illuminate what actually occurs when archaeologists go into the field. He reveals startling episodes with dangerous situations, other dangerous archaeologists (sometimes unclothed), dangerous animals large and small, and cans of beer large and small. The stories that don't appear in the official reports have made their way into this small, humorous volume. Includes cartoons by noted illustrator Bill Tidy.

The Cambridge World Prehistory provides a systematic and authoritative examination of the prehistory of every region around the world from the early days of human origins in Africa two million years ago to the beginnings of written history, which in some areas started only two centuries ago. Written by a team of leading international scholars, the volumes include both traditional topics and cutting-edge approaches, such as archaeolinguistics and molecular genetics, and examine the essential questions of human development around the world. The volumes are organized geographically, exploring the evolution of hominins and their expansion from Africa, as well as the formation of states and development in each region of different technologies such as seafaring, metallurgy, and food production. The Cambridge World Prehistory reveals a rich and complex history of the world. It will be an invaluable resource for any student or scholar of archaeology and related disciplines looking to research a particular topic, tradition, region, or period within prehistory.

Where do we find the world's very first art? When, and why, did people begin experimenting with different materials, forms and colours? Were our once-cousins, the Neanderthals, also capable of creating art? Prehistorians have been asking these questions of our ancestors for decades, but only very recently, with the development of cutting-edge scientific and archaeological techniques, have we been able to piece together the first chapter in the story of art. Overturning the traditional Eurocentric vision of our artistic origins, which has focused almost exclusively on the Franco-Spanish cave art, Paul Bahn and Michel Lorblanchet take the reader on a search for the earliest art across the whole world. They show that our earliest ancestors were far from being the creatively impoverished primitives of past accounts, and Europe was by no means the only 'cradle' of art; the artistic impulse developed in the human mind wherever it travelled. The long universal history of art mirrors the development of humanity.

In this revised and updated edition of Archaeology: A Very Short Introduction, Paul Bahn presents an engaging introduction and a superb overview of a field that embraces everything from the cave art of Lascaux to the great stone heads of Easter Island. This entertaining introduction reflects the enduring popularity of archaeology--a subject which appeals as a pastime, career, and academic discipline, encompasses the whole globe, and spans some 2.5 million years. From deserts to jungles, from deep caves to mountain tops, from pebble tools to satellite photographs, from excavation to abstract theory, archaeology interacts with nearly every other discipline in its attempts to reconstruct the past. In this new edition, Bahn brings his text completely up to date, including information about recent discoveries and interpretations in the field, and highlighting the impact of developments such as the potential use of DNA and stable isotopes in teeth, as well the effect technology and science are having on archaeological exploration, from nuclear imaging to GPS. Bahn also shows how archaeologists have contributed to some of the most prominent debates of our age, such as the role of climate change, the effects of rises in sea-level, and the possibility of global warming. This edition also includes updated suggestions for further reading.

Everyday Life in the Ice Age is the first attempt to present a truly complete, balanced and realistic picture of life during the last Ice Age, with its many problems and challenges, while dispelling many of the myths and inaccuracies about our early ancestors. One of the most common questions asked by visitors to Europe's decorated caves is 'What was life like for these people?' No previous book has ever managed to answer this question, and most studies of the period are aimed entirely at academics, tending to focus on tool-types rather than what the tools were used for. Women and children are almost invisible in these studies. The book examines all aspects of the lives of biologically modern humans in Europe from about 40,000 to 12,000 years ago, the period known as the Last Ice Age, a time of radical change in climate and environment. It explores how people were able to cope with and adapt to the often rapid alterations in their circumstances. Elle Clifford's background in Social Psychology brings important insights into aspects of the past which are never normally discussed - domestic and family life, pregnancy and child-rearing, and care of the sick and elderly. The book is aimed not only at students and specialists, but also and especially the interested public, for whom the most interesting questions are: How were they like us? and what behaviours do we share?

This is the third in the five-yearly series of surveys of what is happening in rock art studies around the world. As always, the texts reflect something of the great differences in approach and emphasis that exist in different regions. The volume presents examples from Europe, Asia, Africa, and the New World. During the period in question, 1999 to 2004, there have been few major events, although in the field of Pleistocene art many new discoveries have been made, and a new country added to the select list of those with Ice Age cave art. Some regions such as North Africa and the former USSR have seen a tremendous amount of activity, focusing not only on recording but also on chronology, and the conservation of sites. With the global increase of tourism, the management of rock art sites that are accessible to the public is a theme of ever-growing importance.

In the late-19th and early-20th centuries, as China opened its doors to the rest of the world, Western archaeologists introduced new field methods that led to important discoveries and the establishment of scientific bodies of research. However, as China turned in on itself from 1949 to 1990, Chinese archaeology entered a dark age. Today, in an era of cooperation, the splendours and achievements of ancient China are revealed to modern eyes.

The Mughal empire dominated India for three centuries, rivalling the greatest rulers of Europe and the East in its power and splendour. Under such enlightened patrons as Akbar the Great in the 16th century and Jahangir and Shah Jahan in the 17th century, this vast muslim empire produced paintings of technical excellence and architecture of exceptional quality, such as the Taj Mahal. However, in the 19th century, internal divisions, weak emperors and the expanding British presence led to its decline. Using memoirs written by the rulers themselves, miniature paintings and architectural drawings, Mughal India reveals the achievements of this great empire.

This is the fourth in the five-yearly series of surveys of what is happening in rock art studies around the world. The aims are to present a synthesis of the status of rock art research in different regions of the world, provide information about recent projects, publications, prevailing research objectives and methods, and enable rock art researchers to relate their findings in a specific region to mainstream research results. As always, the texts reflect something of the great differences in approach and emphasis that exist in different regions, presenting examples from Europe, Asia, Africa, and the New World. Not all rock art areas are covered but some of the gaps in previous volumes have been filled. Papers consider the distribution of sites, chronology, interpretation, new surveys and publications, management and site conservation. Rock art studies are going through a period of scientific and technological development which will have an enormous impact on the quality of recording and dissemination. At the same time, many authors are concerned by problems of preservation and vandalism, and underline the crucial importance of educating local people, and the young, about the importance of this fragile and finite heritage. This aspect too will be of increasing importance in years to come.

From two of the best-known archaeological writers in the trade, this outstanding resource provides a thorough survey of the key ideas in archaeology, and how they impact on archaeological thinking and method. Clearly written, and easy to follow, Archaeology: The Key Concepts collates entries written specifically by field specialists, and each entry offers a definition of the term, its origins and development, and all the major figures involved in the area. The entries include: thinking about landscape archaeology of cult and religion cultural evolution concepts of time urban societies the antiquity of humankind archaeology of gender feminist archaeology experimental archaeology multiregional evolution. With guides to further reading, extensive cross-referencing, and accessibly written for even beginner students, this book is a superb guide for anyone studying, teaching, or with any interest in this fascinating subject.

Rock Art Studies: News of the World VI, like the previous editions in the series, covers rock art research and management all over the world over a five-year period, in this case, the years 2015 to 2019 inclusive. The current volume once again shows the wide variety of approaches that have been taken in different parts of the world and reflects the expansion and diversification of perspectives and research questions. One constant has been the impact of new techniques of recording rock art. This is especially evident in the realm of computer enhancement of the frequently faded and weathered rock imagery. As has been the case in past volumes, this collection of papers includes all of the latest discoveries, including in areas hitherto not known to contain rock art. While relatively little has happened in some areas, a great deal has occurred in others. Rock art studies continue to go through a period of intense scientific and technological development, but at the same time - due to the problems of preservation and vandalism - it is crucial to educate local people and the young about the importance of this fragile heritage.

This is the fifth volume in the series Rock Art Studies: News of the World. Like the previous editions, it covers rock art research and management across the globe over a five-year period, in this case the years 2010 to 2014 inclusive. The current volume once again shows the wide variety of approaches that have been taken in different parts of the world, although one constant has been the impact of new techniques of recording rock art. This is especially evident in the realm of computer enhancement of the frequently faded and weathered rock imagery that is the subject of our study. As has been the case in past volumes, this collection of papers includes all of the latest discoveries, including in areas hitherto not known to contain rock art. The latest dating research reported in this fifth volume, sometimes returning surprisingly early results, serves to extend our knowledge of the age of rock art as well as highlight the limits of current models for its development around the world.

Professor Rodrigo de Balbin has played a major role in advancing our knowledge of Palaeolithic art, and the occasion of his retirement provides an excellent opportunity to assess the value of prehistoric art studies as a factor in the study of the culture of those human groups which produced this imagery. The diverse papers in this volume, published in Professor de Balbin's honour, cover a wide variety of the decorated caves which traditionally defined Palaeolithic art, as well as the open-air art of the period, a subject in which he has done pioneering work at Siega Verde and elsewhere. The result is a new and more realistic assessment of the social and symbolic framework of human groups from 40,000 BP onwards.

Alexander Marshack single-handedly revolutionized the field of Paleolithic art research. His astounding photographs of portable art objects caused us to see them with fresh eyes, to ask new questions, and to understand their technology and production far more precisely; and his pioneering use of infrared and ultraviolet light in the caves revealed startling new facts about the paintings. In addition, he carried out important, provocative and challenging work on archaeoastronomy, calendar sticks, female imagery, and other topics. Alexander Marshack was able to do what nobody else ever had before, or perhaps ever will again - i.e. travel all over Europe, visiting not only many decorated caves but also all the portable art objects scattered throughout the continent, including Russia. This unique experience and knowledge, together with his unrivalled and amazing documentation of all this material, made him by far the USA's foremost specialist in Paleolithic imagery. To honor his memory, in this book, scholars from many parts of the world contribute papers about some of the many problems that interested him and to which he made such a massive contribution.